My favorite blog to write is here. Not because TV is my favorite thing but because it's the last thing I do before I leave the previous year completely behind. After this, I can leave 2025 to memories to only be pulled in drunk stupors or potential blackmail.
Much like the other two best of lists, which you can read here and here, any season of television or piece of media can qualify as long as it's my first time watching it in 2025. Though due to the long running nature of series, if I already discussed them on lists in previous years and I have nothing new to say, they won't be included. So while Silo, Abbott Elementary, and Spy x Family both continue to maintain their standard of quality, I simply have nothing else to add to warrant writing about them again.
10. Smiling Friends (Season 3)
CTRL+C and CTRL+V my review back in 2022-hey what are you doing in the best of list????
My favorite blog to write is here. Not because TV is my favorite thing but because it's the last thing I do before I leave the previous year completely behind. After this, I can leave 2025 to memories to only be pulled in drunk stupors or potential blackmail.
Much like the other two best of lists, which you can read here and here, any season of television or piece of media can qualify as long as it's my first time watching it in 2025. Though due to the long running nature of series, if I already discussed them on lists in previous years and I have nothing new to say, they won't be included. So while Silo, Abbott Elementary, and Spy x Family both continue to maintain their standard of quality, I simply have nothing else to add to warrant writing about them again.
Smiling Friends has a very passionate following. One I was never really apart of. It's like those people who obsess over coffee to where they have kitchen signs saying "a day without coffee is like reliving Columbine" or something like that. And here, I am thinking that coffee is just a nice drink to have on a Monday morning.
However, I'm slowly coming around to Smiling Friends, and I think it's because it's clear the creative team are doing their absolute damndest to top themselves and use every penny from their increased production budget. Not every episode is a banger. It's one of those "when it hits, it HITS."
Part of it is the increased quality of the visuals. When the visuals synergizes with a clever bit, the result is some golden television. The Halloween episode is perhaps one of my favorite pieces of horror comedy media I've ever seen.
However, I'm slowly coming around to Smiling Friends, and I think it's because it's clear the creative team are doing their absolute damndest to top themselves and use every penny from their increased production budget. Not every episode is a banger. It's one of those "when it hits, it HITS."
Part of it is the increased quality of the visuals. When the visuals synergizes with a clever bit, the result is some golden television. The Halloween episode is perhaps one of my favorite pieces of horror comedy media I've ever seen.
While the rest is pretty standard Smiling Friends humor, those rare gems throughout the season is enough to at least get mentioned on the 10th slot.
9. 100 Girlfriends (Season 2)
It's not an M. Rambles list without some wholesome romance anime.
I watched an assortment of light entertainment this year. The aforementioned Abbott Elementary and Spy x Family are good examples. This year was the year I finally got a Dropout subscription, so I've been eating good with their content.
Yet, despite this show being the literal first show I watched this year, I rewatched it periodically throughout the year. I apparently can't get enough of this stupid show.
It's a guilty pleasure as the show is basically just a syringe of serotonin with little else in terms of interesting storytelling, but I don't care. I love how shamelessly stupid it is. I love its continued commitment to give 100 girls that are affable and cute. I love its single-minded goal of just showing an idealistic boyfriend being in a healthy romantic relationship with said 100 girls. It's so indulgent, but it's pure in that indulgence.
This is the Oreos of romance anime. There's richer flavors out there. But I know what I'm eating when I need a self-care day.
8. Snapcube's Kingdom Hearts Fandub
The oldest YouTube genre I fell in love with is the Abridged. The idea of voicing characters from my childhood to say stupid shit will never not be funny to me. It's hard to beat Eggman peeing on the moon or Joey Wheeler saying Brooklyn rage.
It's bout time this genre got some representation on these list, and Snapcube to me has been the gold standard as of late.
No series this year had me waiting for the next episode to release like this one. Combining the nonsensical nature of Kingdom Hearts and improv dialogue is comedic perfection.
7. Papa Meat
Everyone has their comfort watch. And for me, my way of unwinding is cycling through the same handful of YouTube channels over and over again. It's been a while since I added a regular to my rotation, and Papa Meat was the new obsession to do it.
Remember JonTron? Yeah, this is what I imagine JonTron wanted his career to go. Unfortunately, his humor couldn't keep up with his increasing production value. And yeah, it would help if you didn't say some hellishly ignorant ass things in a public setting that would tarnish your reputation.
But this isn't about JonTron, this is Papa Meat. And man, Papa Meat is like eating a delicate recipe. It has just the right amount of edge, heart, humor, and pacing. No one element overpowers the other like a sweet and savory dish.
It is just a well-balanced variety show.
Very few YouTubers 'have it all.' And because of that, some have the hubris to try to have it all but at the price of diminishing the specific talent they excel at, *cough cough* JonTron. Suffice it to say, Papa Meat is one those few where I feel they are capable of doing just about anything. Well, almost anything. Please don't do anything problematic. I'm still mourning losing Bill Burr.
6. Superbunnyhop
Video essays are quite the artform. An artform that I find usually terrible because the standard of quality is all over the place. Hey you, yes you! The one that just finished Silksong and wanted to make video essay on why Bilewater is an allegory of the American oligarchy. Just know, these are the content creators you are competing with.
Superbunnyhop returned with some high quality videos after a hiatus, and it was glorious. If I made a Top 10 YouTube Videos of 2025, I would easily give three of those slots to Superbunnyhop.
In one year, he released a comprehensive video on the history of strategy games. How black and white movies could be a frontier AAA gaming could utilize to innovate on game fidelity. He made another Games from My Inbox video which are like fucking crack to me. And, he's doing it while fucking fighting an HOA in an inspiring legal battle. I love this man.
Go watch his content. He's one of my favorite video essayists, and he deserves more love.
Go watch his content. He's one of my favorite video essayists, and he deserves more love.
5. Severance
When I see shows like this, I always picture what the premise would look like if it was executed poorly. Like, can you imagine if Ryan Murphy used this premise for American Horror Story? Oh God, that makes me want to throw up.
This is a nice high concept that's elevated by great acting and slick cinematography. It's no Andrei Tarkovsky, but it nails down the fundamentals.
This show is for people who love to watch acting. Characters playing two to three versions of themselves. Dialogue filled with a constant double meaning that the actors have to weave through. Often, the story is told through eye contact and body language. The cast should be commended for their work on this show. I fell in love with a lot of new actors because of this show, specifically Britt Lower and Tramell Tillman. But also, I gained a new appreciation for actors I merely liked. Adam Scott for instance was so enjoyable to watch in this show.
The second season ended with its intrigue relatively intact. If it makes good on season three, I could easily see this show back on these lists.
4. Dan da Dan
A good indicator on whether I love a show is if I binge it. I almost never binge shows. It takes a special kind of show to do it, and I always wonder what that special sauce is. Well after Dan da Dan, I think I know what that is.
My favorite media tend to explore a vast spectrum of emotions. They don't dwell on just being happy or sad. You get a little bit of everything.
Dan da Dan explores all the emotions in such a rapid pace that I'm in awe in didn't fall apart into this tonally inconsistent mess.
I feel like I'm micro-dosing on different emotions with this show. I think the mass appeal of Dan da Dan is taking all of these emotions and tying it into a cohesive piece. You can have funny banter in one scene, an exploration of depression or social anxiety in another, to a sudden burst of action. It all works because the foundation is rock solid. The characters are wonderful, and all the tonal shifts are in service to them.
I feel like I'm micro-dosing on different emotions with this show. I think the mass appeal of Dan da Dan is taking all of these emotions and tying it into a cohesive piece. You can have funny banter in one scene, an exploration of depression or social anxiety in another, to a sudden burst of action. It all works because the foundation is rock solid. The characters are wonderful, and all the tonal shifts are in service to them.
This aims for broad appeal and nails it perfectly without diluting itself in any way. A wonderfully paced show with great action, romance, everything! A great sample platter for the days when you are being indecisive on what to watch.
3. Somebody Somewhere
Got to love when a great show just falls onto your lap.
I watched it on a lark after seeing it win its first Emmy. I'll spare you the semantic rant of what constitutes a comedy or a drama. The point is this show is well worth watching, and I wish more people talked about it.
I watched it on a lark after seeing it win its first Emmy. I'll spare you the semantic rant of what constitutes a comedy or a drama. The point is this show is well worth watching, and I wish more people talked about it.
Comedy, dramedy, whatever genre you want to label it, this show is beautifully written. Narratives don't often prioritize the salt of the Earth that makes humanity what it is, so for a show to fully embrace it is refreshing.
It's uncanny how true to life this show is. Conversations feel straight ripped from real life conversations I had with friends, family, and coworkers. I seldom used the term feeling heard, but I felt the creative team really wanted this show to relate deeply to how interpersonal dynamics play out in our current era.
It's uncanny how true to life this show is. Conversations feel straight ripped from real life conversations I had with friends, family, and coworkers. I seldom used the term feeling heard, but I felt the creative team really wanted this show to relate deeply to how interpersonal dynamics play out in our current era.
And oh God, this show pops off in season 2. Granted, I was going through my seasonal depression, so I was already feeling a bit raw. But either way, this show gave me some healing cry sessions at the start of season 2.
2. Pluribus
Vince Gilligan had a significant trial in front of him. His first original narrative since his Breaking Bad/Better Call Saul run. What's that? There was also Battle Creak? Well fuck, I already had a set up I wanted to do with this. Fuck it, I'm doing it anyways.
Normally, when an artist strikes a home run in the way Gilligan did, their follow up is looked at with a kind of anticipation that I can see being a high pressure situation. We've had a variety of successes and failures throughout history from these situations. I always think of Ralph Ellison, the man who wrote the Invisible Man. He never completed a second novel despite Invisible Man being a critical darling. The running theme of audience expectation and meeting up to your reputation came up a lot in my research on that speculation. The question of whether your work is reflective of your talents as an artist or just beginner's luck. That can be an agonizing pressure.
It's also more noteworthy since Gilligan is in this new world of TV. This isn't 2008 anymore. We live in a world where most televisions show are vying for the same level of production quality that Breaking Bad helped standardize. Breaking Bad was an amazing show in an era of ok television. Now, amazing feels like the new benchmark in order for people like me to sit through your 12-hour long season.
All of this worry only for Pluribus to anticlimactically exceed my expectations, because this show is lit.
I love going to media as blind as possible, and this show exemplifies why I continue that practice. Intrigue is one of the many dangling carrots TV uses to bring in an audience. If we grade shows based solely on the ingenuity of building intrigue, then Pluribus would be the top student. I can't wait for film professors to force their students to watch the Pluribus pilot over and over again in screenwriting classes everywhere.
1. The Rehearsal (Season 2)
Storytelling has been a tool for a very long time. So needless to say, the potential of storytelling has been explored to about as far as we possibly can. And if you're like me, a guy about to turn 30 and has experienced a lot of amazing media over the decades. There is little room for someone to break new ground outside of a new technology or societal shift.
This season of Rehearsal wasn't just great. It felt like I was a witness to something incredibly new. The kind of new that people must have felt when in audience for Mozart. Of course, the type of storytelling Nathan Fielder is expressing has been around since at least Sherman's March, and even longer if we include the entire breadth of creative nonfiction. Even Nathan Fielder himself has been playing with these concepts during Nathan for You. However, it's this season where it felt more fully realized. This feels like the next stage from the days of Finding Frances.
The line between reality and script has blurred to such a poignant level that even the traditional approach to critique of analyzing the merits of writing and production value feel ineffectual. Nathan Fielder's ability to make his audience both be apart of the joke and the butt of the joke, while never conveying where that line is placed, is nothing short of incredible. With no pretension, Nathan Fielder has established himself as a genius in the world of entertainment. There is no one at the level of what Nathan Fielder is at, and it's a pleasure to be alive in the same time as him.
So that's 2025. It's a copy of Sinners, DK Bananza, and the Rehearsal all standing in front of a burning dumpster fire. May these works of art outlast the smell.
This season of Rehearsal wasn't just great. It felt like I was a witness to something incredibly new. The kind of new that people must have felt when in audience for Mozart. Of course, the type of storytelling Nathan Fielder is expressing has been around since at least Sherman's March, and even longer if we include the entire breadth of creative nonfiction. Even Nathan Fielder himself has been playing with these concepts during Nathan for You. However, it's this season where it felt more fully realized. This feels like the next stage from the days of Finding Frances.
The line between reality and script has blurred to such a poignant level that even the traditional approach to critique of analyzing the merits of writing and production value feel ineffectual. Nathan Fielder's ability to make his audience both be apart of the joke and the butt of the joke, while never conveying where that line is placed, is nothing short of incredible. With no pretension, Nathan Fielder has established himself as a genius in the world of entertainment. There is no one at the level of what Nathan Fielder is at, and it's a pleasure to be alive in the same time as him.
So that's 2025. It's a copy of Sinners, DK Bananza, and the Rehearsal all standing in front of a burning dumpster fire. May these works of art outlast the smell.